Works

Crossing

2015 / An opera

“What is it, then, between us?” With this resonant question at the climax of “Crossing Brooklyn Ferry,” Whitman asks many things at once: what is his relationship to his contemporaries, his fellow men and women? What is his relationship to you, the reader, whoever you may be, whenever and wherever you may be reading his poem? And what is the relationship between the contradictory elements of his own self? The phrase “between us” itself has a double meaning: what is the relationship between us, and what stands between us, keeping us apart?

What is his relationship to you, the reader, whoever you may be, whenever and wherever you may be reading his poem?

In the moment that Whitman asks this question, he is in a state of unknowing: he wants to know, and needs to know. Crossing emerges out of my sense that Whitman wrote his poetry out of need – that his poetry is not, or is not exclusively, a vigorous assertion of what he is, but rather the expression of a yearning to be what he is not, or to reconcile opposing aspects of his identity. The person/persona/personality “Walt Whitman, an American, one of the roughs” is the living product of this need.

So, in Crossing, the Walt Whitman who walks the stage is not that familiar poetic persona. Rather, this is Whitman as I imagine he might have been to himself, starting from a midlife crisis which prompts his radical, heroic decision to drop everything and volunteer in war hospitals. Naturally, this Whitman is a fictional creation. Crossing is a musical fantasia which imagines and realizes the many forces – generosity, insecurity, longing, selflessness, bravery, unfulfilled sexual desire, a need to escape his own life, a boundless kindness – that caused a man named Walter Whitman, Jr. to forge an indelible embodiment of the American spirit in his poetry.

Rent or purchase Crossing

Read the review at The New York Times
Read the New Yorker feature
Read the review at WBUR

 Listen to an excerpt from Crossing

Crossing: A Lecture/Recital

Source: Youtbe - Published on Apr 2, 2015
Creators in Concert: Excerpts from Crossing

American Repertory Theater: Crossing


Details

An opera
Category:Opera
Year Composed:2015
Duration:1 Hours 40 Minutes
Chorus: 11 male singers
Language: English
Soloist:Bar, T, B-Bar, S
Orchestration:2111/2110/3perc/pf/str
Publisher:Associated Music Publishers Inc
Past Performances

29 MAY 2015
Crossing – World Premiere
American Repertory Theatre with Music-Theater Group
Shubert Theater
Boston, MA
A Far Cry
Rod Gilfry, Alexander Lewis, Davone Tines, Jennifer Zetlan; directed by Diane Paulus; Matthew Aucoin, conductor
31 MAY 2015
Crossing
Shubert Theatre
Boston, MA
Rod Gilfry, Alexander Lewis, Davone Tines, Jennifer Zetlan
A Far Cry
Matthew Aucoin, conductor
Diane Paulus, director
2, 4-6 JUN 2015
Crossing
Shubert Theatre
Boston, MA
Rod Gilfry, Alexander Lewis, Davone Tines, Jennifer Zetlan
A Far Cry
Matthew Aucoin, conductor
Diane Paulus, director
29 NOV 2016
Crossing (excerpts)
National Opera Center
New York, NY