Music’s love affair with language is an intense one – or rather, it ought to be. The old adages about the perfect marriage between music and text – “the words must serve the music,” “prima la musica, poi le parole,” etc. – reek of a certain outdated marital attitude. The relationship, at its best, has never been master-and-servant. It is a dynamic bond. The words and the music must put pressure on one another – they must be a little wary of one another,
and each recognize the other’s power, before they embrace.